The Button
Collection:CSM Museum & Study Collection
Date: 2025
Dimensions:
Zine: 145 × 105 mm (14.5 × 10.5 cm)
Medium: MDF, found buttons, LED lights, lamp, bell, 3D printed joints, fan, Arduino
Object number: GD.2025.38.CC.1
Description1. Printed zine
Description by the artist:
The work being collected is an A6, three-colour RISO-printed zine, produced as part of my final project installation. The zine serves both as a process document and as an outcome, encapsulating the core themes of the work.
The project began with a simple concept: observing and archiving the buttons I pressed
over the course of a single day. These ranged from functional, everyday interactions such
as light switches and elevator buttons, to the more intangible, almost unconscious
touches that shape our routines. By recording each encounter, I sought to foreground the
otherwise invisible intereaction that punctuate contemporary urban life.
The zine brings these observations together in a playful yet systematic form. Through
RISO printing, with its distinctive layering of colours and textures, the work takes on a
tactile, archival quality.
As part of a installation, the zine functions as both a record and a narrative device. It
reveals how design can be used to collect traces of the everyday, create alternative forms of memory, and invite reflection on human–technology interaction. By transforming mundane encounters into printed matter, the work balances humour, precision, and
critical observation, while questioning how we might reframe the ordinary through acts of
archiving and reflection.
Description by the artist:
The work being collected is an A6, three-colour RISO-printed zine, produced as part of my final project installation. The zine serves both as a process document and as an outcome, encapsulating the core themes of the work.
The project began with a simple concept: observing and archiving the buttons I pressed
over the course of a single day. These ranged from functional, everyday interactions such
as light switches and elevator buttons, to the more intangible, almost unconscious
touches that shape our routines. By recording each encounter, I sought to foreground the
otherwise invisible intereaction that punctuate contemporary urban life.
The zine brings these observations together in a playful yet systematic form. Through
RISO printing, with its distinctive layering of colours and textures, the work takes on a
tactile, archival quality.
As part of a installation, the zine functions as both a record and a narrative device. It
reveals how design can be used to collect traces of the everyday, create alternative forms of memory, and invite reflection on human–technology interaction. By transforming mundane encounters into printed matter, the work balances humour, precision, and
critical observation, while questioning how we might reframe the ordinary through acts of
archiving and reflection.