Cigarette box

Classification(s):
Wood
Date: c. 1951-1976
Artist: George Sneed
Dimensions:
103 × 74 mm (10.3 × 7.4 cm)
Medium: Yew wood
Object number: W603G
(not assigned):England
DescriptionHand carved cylindrical cigarette box, with lid. The box is made of yew. Made by George Sneed, in Suffolk England. Makers mark engraved to base.


ProvenanceThis object was originally acquired for the Inner London Education Authority’s (ILEA) ‘Circulating Design Scheme’ collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection’s original purpose was concerned with the teaching and dissemination of modern, ‘good design’.

The collection was established in 1951/52 as the ‘Experiment in Design Appreciation’, later renamed the ‘Circulating Design Scheme’.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 – 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

NotesGeorge Sneed is a woodworker and supplied Heal's with items turned in his small workshop.

This object was circulated to London schools as part of the Inner London Education Authority’s (I.L.E.A) Circulating Design Scheme, which operated from 1951-1976. The yew cigarette box featured in the ‘Contemporary British Wood Ceramics Metal and Glass’ group in an unnumbered case. The boxed showcase suggests clay responds most “readily to the hand and mind and mirror[s] the link between them”. The text also discusses the impact of technical process on craftsmanship. The original supplier from whom this object was acquired is unknown. The photograph does not have an associated record card. Original photograph of boxed showcase  © London Metropolitan Archives: City of London.