Mug

Classification(s):
Pottery
Date: c. 1951-1976
Dimensions:
80 × 141 mm (8 × 14.1 cm)
Medium: Ceramic
Object number: P839F
(not assigned):Sweden
DescriptionCeramic mug by Höganäs Keramik. The ovenware mug has a green glaze and a single line of dots running horizontally across the body. The mug is handmade, has a traditional form and was inexpensive to buy. Made in Sweden.

The makers mark is stamped to the base and incised under the glaze “707 2”



ProvenanceThis object was originally acquired from The Primavera Gallery, London.

This object was originally acquired for the Inner London Education Authority’s (ILEA) ‘Circulating Design Scheme’ collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection’s original purpose was concerned with the teaching and dissemination of modern, ‘good design’.

The collection was established in 1951/52 as the ‘Experiment in Design Appreciation’, later renamed the ‘Circulating Design Scheme’.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 – 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

NotesThis object was circulated to London schools as part of the Inner London Education Authority’s (I.L.E.A) Circulating Design Scheme, which operated from 1951-1976. The mug featured in the ‘Scandinavia Industrial Art from four countries’ group in case number 2. The boxed showcase introduced the idea of the “striking unity of Scandinavian form in design”, despite national differences. The showcase featured objects from Finland, Norway, Sweden and Denmark, describing the simplicity of Scandinavian design – how it was both practical for machine production, and how it influenced “the best modern, everyday things throughout the world in advanced countries” since the 1920s. This object was originally acquired from The Primavera Gallery, London. The associated record card indicates the boxed showcase was in use from 1968-76. Original photograph of boxed showcase copyright Harold King (Photography) Ltd, Morden, Surrey.

This object was originally acquired from The Primavera Gallery, London.