Vessel

Classification(s):
Pottery
Date: c. 1951 - 1976
Maker: Colin Pearson (British, 1923 - 2007)
Dimensions:
132 × 135 mm (13.2 × 13.5 cm)
Medium: Stoneware
Object number: P975A
DescriptionGlazed stoneware vessel by Colin Pearson. A potter’s stamp with the initials “CP” is impressed on the base. The label to the front reads “P975A £2.75 C. Pearson”. There are 2 further labels on the base, one reads “No12 £2.15.-”, the second label is illegible as the ink has faded. The ILEA number is painted on the base.


ProvenanceThis object was originally acquired for the Inner London Education Authority’s (ILEA) ‘Circulating Design Scheme’ collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection’s original purpose was concerned with the teaching and dissemination of modern, ‘good design’.

The collection was established in 1951/52 as the ‘Experiment in Design Appreciation’, later renamed the ‘Circulating Design Scheme’.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 – 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

NotesColin Pearson studied painting at Goldsmiths College, London and later worked at the Royal Doulton factory in Lambeth, where he was employed in slip casting in the chemical porcelain department. Pearson began to test designs and glazes that were more durable for everyday use. In 1958 he began lecturing at Camberwell College of Arts, and was eventually awarded a rare honorary fellowship at the University of the Arts, London in 1996. Pearson investigated the more expressive potential of ceramics in his practice. He tried different modes of throwing, and made more sculptural pieces in softer, more plastic clay on a slower wheel. He achieved a freer, more rugged texture with irregular, gestural throwing marks.